A series about the challenges Wellington faced during the first half of the Peninsular War Written for the Britannia Magazine Facebook Page.
After a delay which I could put down to factors beyond my control, but instead will attribute to seeing something shiny, this video has been unnecessarily delayed but hurrah! At last I have posted by latest 1066 Q&A vid, I’d love for you to like, comment and favourite, I’d love it even more if you subscribed to my channel but no pressure, I’m easy going like that, wether 10 or 10,000 people watch it. (But please, please, please do).
Recently I’ve started doing some guest posts around and about. This one is for the excellent Andrea Zuvich about Robert Carey and how he bridged the gap between two dynasties.
It is a great blog so please pop over and have a look.
This is the first of my 1066 Q&A Videos, answering the questions you have left here and on social media.
Publisher: Osprey Publishing (24 Mar. 2016)
The Combat series is fast becoming one of Osprey’s strongest assets as it bridges the gap between warrior, men at arms, elite and campaign, being a fair blend of them all. It fits in neatly with the spirit of the other lines the publisher has produced over the years. Bringing an in depth look at a specific point, and in addition “Versus” as it is also called, allows enthusiasts to actually investigate the age old “who would win” conversation.
This book examines the experiences of British and French regular soldiers during the French and Indian War 1755-1763. Essentially this is the story less told in the Last of the Mohicans, that of the red and white coats who formed the nucleus around which the more famous Rangers, Couriers du Bois, Indians and light infantry units were formed around.
Therefore bush warfare is not investigated here, rather it is the set piece battle in the open that the author, Stuart Reid looks at. At that immediately focuses the scope to a short period between 1759 and 1760 that nevertheless saw the little studied Battle of Fort Niagara, the legendary Battle of Quebec and the often overlooked Battle of St Foie.
These three battles don’t particularly reveal anything greatly striking about how conventional forces engaged each other in the 18th century. Rather they highlight some of the differences and challenges that regular troops, not trained for bush warfare, faced in North America. The French had to adapt set battle plans regarding columns to accommodate much smaller armies, they also had to make allowance for a large amount of militia being attached to regular battalions. The British were mostly refining their musketry, and did very little different, except in this sphere.
Both armies proved themselves to be incredibly flexible of course, but what the book actually revealed to me is a distinct lack on the part of field commanders, especially on the French side, which is telling, and how when push came to shove it was often down to battalion level officers to do the right thing. The lack of the horse in these campaigns would prove a distinct handicap to communications.
Maps and images, well chosen and properly accompanied by illustrative text, accompany every Osprey book, as do original paintings. Combat offers a look at both types of soldier, plus a split screen page were the same event is observed from both sides, and a traditional full page spread by Peter Dennis. As per usual with this artist, these illustrations are action packed, and very colourful. In the artist’s brief Reid must have stressed that Dennis pose the British Redcoat leaning forwards into the shot, which gives him a slightly strange look but highlights the sort of detail you can expect.
In other combat titles, a theme is used where either the same regiment, or the same soldier is used multiple times to allow a go pro “point of view” read. Here Reid’s combat analysis is based on the testimonies of a greater range of participants, which gives a more conventional “birds eye view” to the actions than is usual in some of the other ones, nevertheless it is an excellent short overview of linear fighting in America and highlights some interesting aspects of the war, showing how the two sides attitudes adapted to try and gain supremacy in Canada.
My latest for Britannia Magazine.
Cosmonauts, birth of the space age, is an exhibition well worth a visit no matter how interested you are in Space. I spent over an hour and half there, and probably could have comfortably stretched another 30 minutes out of it, so even if I hadn’t gotten a gratis ticket because I have a blog I would have gladly paid the entrance fee at the ticket office, instead of at the gift shop at the end. It’s layout cleverly takes you through a chronological story from 1903 to 2010, the amount of 1st’s the Soviet Space Program and today’s Roscosmos accrued in that time is baffling. It is full of atmosphere and education, representing years of work to get the 150 or so artefacts to London from Moscow, almost none of which have ever left Russia. The guides and curators are very knowledgable and take time with people. When I was there several of them had extended conversations with an elderly Polish woman who was very voluble about her admiration of Russia, and eager to learn the details about the Cosmonauts and show her young relative around. The museum guards keep a sharp eye on those carrying cameras, so if you are carrying one make sure the lens cap is on and in a neutral position, it helps them relax. Backpacks appear to be fine, I saw two people wearing them. When I visited it was very overheated, so just in case wear something that isn’t too bulky or that you can comfortably carry around. The exhibition lets out into the well stocked gift shop and subsequently into the cafe. There are T shirts, and buttons and pins, a space dog cuddly toy, a great selection of books and stacks of postcards and prints. And if your budget goes to £100 and your style is akin to Will.I.A.M then the replica Cosmonaut jacket is definitely for you.
This exhibition was better than I could have expected, so please, when you go take your time to appreciate it to its full, it truly is a once in a lifetime show that tells a largely untold story. It is an exhibition that will make you reevaluate what you thought you knew about the Space Race, and encourage you to think about the importance of cooperation in the the future.
Cosmonauts: Birth of the Space Age
Discover the story of Russian space travel in this once-in-a-lifetime exhibition
Price: £14 (concessions available)